The Art Paper 03, APPARATUS

$14.00

Featured artists: Nick Austin, Danielle Brathwaite-Shirley, Ruth Buchanan, Juliet Carpenter, Fiona Connor, David Cook, Daniel John Corbett Sanders, James Cousins, Megan Dunn, Alicia Frankovich, Romeo Roxman Gatt, Tanu Gago, Matthew Griffin, Emily Hartley-Skudder, Stevi Hindmarsh, Ary Jansen, Anchi Lin (Ciwas Tahos), Nayan Patel, Ming Ranginui, Ali Senescall, Sorawit Songsataya, Ella Sutherland, Lorene Taurerewa, Hervé Télémaque, Kalisolaite ‘Uhila.

Contributors: Hana Pera Aoake, Jo Bragg, Connie Brown, Jon Bywater, Vanessa Cole, Daniel John Corbett Sanders, Sophie Davis, Romeo Roxman Gatt, Simon Gennard, Matthew Griffin, Max Harris, Stevi Hindmarsh, Dieneke Jansen, J. A. Kennedy, Romily Plourde Marbrook, Natasha Matila-Smith, Dr Chelsea Nichols, Nayan Patel, Ming Ranginui, Manon Revuelta, Evangeline Riddiford Graham, Danae Ripley, Marek Sullivan, Hervé Télémaque, Parisa Torkaman, Meka Van Traa.

Specs: 160 pages, 24.1 x 16.8 cm

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Editor’s Letter:
In 1981 my mum applied for a mortgage. She had saved $20,000 of the $22,000 required for the apartment she wanted (back when the price of a house was a knowable and fixed commodity). The bank turned her down because she was a woman alone, and the risk was too great. None of her male family members were able to act as guarantor, so she went to England and bought a Louis Vuitton bag.

One of my most hyped Instagram stories this year was an image of a tweet by someone called @bloodskinteeth that had been screenshot and shared by Dasha Nekrasova (indie darling, podcaster, and occasional actress in everyone’s favourite money-drama, Succession) which had then proceeded to do the rounds with cool minor celebrities and many of my art girls across the globe. Each time, someone would screenshot the story with the poster’s name overlaid with their own, creating a vast and morphing chain of very sexy people who all shared the same belief—that “a woman with no drivers licence is the closest we can get to a real life angel.”

The internet is full of hyperboles. Instagram is full of solidarity, and occasional spite. B*tches will be b*tches, but will we ever be able to drive? The structures that support us all are built on shifting sands. APPARATUS begins to think about home, transience, machines, the ways that people try to organise our bodies and our environments; and what is left when we try to break free.

— Becky Hemus Editor-in-Chief July 2022

 

Issue 03 preview

FEATURE: Otherwise-image-worlds, curated by Tendai Mutambu including animation artworks by Danielle Brathwaite-Shirley, Juliet Carpenter, Tanu Gago, Ary Jansen and Sorawit Songsataya

Text by Connie Brown, shoot styled by Franca Chase and photographed by Agustín Farias and Matt Hurley

Lap of Luxury

Ming Ranginui interviewed by Hana Pera Aoake

Hide and Seek

Lorene Taurerewa, by Danae Ripley

As told by the artist

Daniel John Corbett Sanders

 

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